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“... with poetry that it finds its own moment. The poets that have meant most to me – Lowell, Bishop, Schuyler – all, as it were, were rudely kept waiting by me. I had their books, or I already knew some poems of theirs, but there was no spark of transference. Then it happened, and our tepid prehistory was, quite literally, forgotten beyond a lingering ...”

“... the 8 p.m. cup of cocoa.’ The letter was written on 15 November 1951, a few days after James Schuyler had been admitted to Bloomingdale Hospital, a mental institution in White Plains, New York. Schuyler still gets his semi-colons right, and his appetite for gossip is undiminished: ‘Is it still ...”

“... drawing by Larry Rivers, freeze him in a pose of brooding nobility, small and tough like Keats. (James Schuyler mourned: ‘even your lines have/a broken nose,’ a kind of translation of Leigh Hunt’s description of his doomed friend – ‘He had a face in which energy and sensibility were remarkably mixed up.’) ‘Frank’ has become shorthand for ...”

“... his books in faraway hotel rooms. I admire that. It brings to mind Janet Flanner at the Ritz and James Schuyler at the Chelsea.) Joan Didion has often noted transiency’s allure, a writer’s necessary alienation from fixed address. My favourite Didion passage of all time, from The White Album, typifies what I will call ‘hotel prose’: TO PACK AND ...”

“... the great Ellington protégé, was living there – presumably composing – in the 1990s. James Schuyler arrived in 1979 and wrote out his last years there. The Chelsea’s presiding spirit in the 19th century was Philip Gengembre Hubert, the son of a French Fourierist who took him to America as the New World phalansteries were breaking ...”

“... The most interesting book of first poems in many years’, Richard Howard proclaimed in 1981. James Merrill, John Hollander and John Ashbery spoke in similarly emphatic terms, while Anthony Hecht saluted an ‘extraordinarily fine’ debut and Harold Bloom hailed the arrival of a great original. ‘I think I speak for many,’ David Kalstone wrote, ‘in saying it appeared with that sense of completeness of utterance and identity that must have come with the first books of Wallace Stevens (Harmonium) and Elizabeth Bishop (North and South ...”

“... not least by drinking with them at the Cedar Bar, Koch, Ashbery and O’Hara, together with James Schuyler and Barbara Guest, were labelled the New York School of poets. While, in truth, these writers didn’t form anything so well defined as a school, they influenced and encouraged one another and had a shared antipathy to the stuffy academic ...”

“... Frankenthaler, Freilicher, Mitchell, Leslie, Rivers, O’Hara, Kenneth Koch, John Ashbery and James Schuyler – liked their conversation dry and shaded. But Hartigan could also be oppressively earnest. Immediately after describing the day she spent with Freilicher, Hartigan continued: ‘Her desire to “draw” well makes her timid & fearful. I ...”

“... what looks like a Post-It note to a friend, or versified notes on a Jackson Pollock painting, a James Dean movie or ‘the music of Adolphe Deutsch’. You may also get one of many enticing, informal, secretly-complex poems that sound like nobody else ever has: How can you start hating me when I’m so comfortable in your raincoat the apples kept bumping ...”

“... One from 1965 named Prell after its central component, a very green shampoo, was well described by James Schuyler: A dozen bottles of Prell – that insidious green – terrible green roses and grapes, glass dangles like emeralds, long strings of green glass beads, a couple of strands looped up. Under glass, in the centre, a blue-green pietà, sweating ...”

“... Mask album (1982) from Lou Reed, a student of Schwartz’s at Syracuse in the early Sixties. And James Atlas’s sensitive biography, published in 1977, provides an exhilarating mass of circumstantial evidence about Schwartz’s day-to-day existence. But the best introduction to his achievement remains his extraordinary first book. He really was onto ...”

“... of Locus Solus, the little magazine he had once edited with John Ashbery, Kenneth Koch and James Schuyler. His thinking was that the prime currency of intelligence work is information about places, and travel agents have access to a great deal. He might even make some money. The AARO invites him to give a talk to an eclectic group of dyslexic ...”

“... a little magazine named after one of Roussel’s works, Locus Solus: Ashbery, Kenneth Koch and James Schuyler were collaborators. It ran for four issues and included the founders’ work alongside that of Barbara Guest, Frank O’Hara, Edwin Denby and others. Locus Solus was like the intersection of New York, Paris and a Surrealist Arcady.Mathews ...”

“... edited by Mathews himself (who also funded it with a legacy from his grandfather), Ashbery, James Schuyler and Kenneth Koch. Like most avant-garde magazines, Locus Solus (named after Roussel’s second prose novel, published in 1914, and with an epigraph from his final long poem, from 1932, Nouvelles impressions d’Afrique), was founded primarily ...”

“... complete works were concocted in a single afternoon and evening by two young Australian poets, James McAuley and Harold Stewart, as part of a plot to expose the obscurantism and meaninglessness of what passed for poetry under the aegis of Modernism. The Malley oeuvre was composed, they were later to reveal, with the aid of a chance collection of books ...”